Important in attempts to ban Bless Me, Ultima, are arguments that the book promotes witchcraft and worship of the devil. The book focuses on Ultima, a curandera, who works with herbs and can heal the sick and exorcise evil. However, it is clear throughout Bless Me, Ultima that the character of Ultima is a force of good, but that she is sometimes mislabeled as a witch. Thus, while witchcraft is discussed and alluded to, it is not necessarily promoted within Anaya's novel.
In addition, Anaya's book clearly shows the conflict between Christianity and other religions, and sometimes criticizes the Catholic religion. Throughout the book, the young Antonio is exposed to his father's love of the earth and freedom that supersedes his Catholicism, and his friend Florence's criticisms of Catholicism. Similarly, Ultima's earthy wisdom is often depicted as superior to the pat answers Antonio receives from his Catholic mother. In addition, the book clearly shows the importance of independent thinking and questioning religious authority.
At the same time, Bless Me, Ultima reflects the views and lifestyles of the Mexican-American heritage. Author Anaya notes that the book was written "to explore and explain the folk ways of a different culture" (cited in Taichert). Part of this experience is the struggle between indigenous culture and spirituality and Western culture and the Catholic religion. In the book, Antonio struggles to reconcile these differing cultural traditions, and ultimately learns that his identity is more complex and rich because he has developed an understanding of all of these traditions.
Bless Me, Ultima, should not be banned as it simply reflects the views and lifestyles of the Mexican-American heritage. While the book does contain criticism of Catholicism, it occurs within the context of exploring the interaction of the character's different cultural identities. In the end, the story argues that embracing both indigenous and Western cultures will help to develop a healthier and richer cultural identity. Notes Henry Reichman (1998), school...
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